Because MOOCs Needed A Yelp, Here’s CourseTalk

Today, CourseTalk is what you might expect — a Yelp for MOOCs — a place for students to share their experiences with these courses and a way to discover new courses they’d enjoy. Still nascent, the platform’s design is simple and its user experience is straightforward. Visitors can sift through courses by “Top Rated,” “Popular” and “Upcoming” or by category, like Business, Computer Science, and so on.
When a space gets its own Yelp, it’s generally an indicator of the fact that a bunch of content or businesses came online at once (or at least it seems that way when viewed from 5 miles up) and end users have no way to make sense of that noise. Sure, there are a lot of schools and programs rushing to take advantage of MOOCs because it’s perceived as a novel technology (even though the MOOC concept has been developing for more than a few months) and because of the scale MOOCs afford.

via CourseTalk Launches A Yelp For Open Online Courses And What This Means For Higher Education | TechCrunch.

Short term this site will help potential students sort through the loud, seemingly crowded MOOC field. Longer term the site or other like it may be in a position to be clearinghouses for quality on line courses.

Stallman Points Out Problems With CC-BY-NC, CC-BY-NC-SA Licenses For Edu Works

Prominent universities are using a nonfree license for their digital educational works. That is bad already, but even worse, the license they are using has a serious inherent problem.

When a work is made for doing a practical job, the users must have control over the job, so they need to have control over the work. This applies to software, and to educational works too. For the users to have this control, they need certain freedoms (see gnu.org), and we say the work is “free” (or “libre”, to emphasize we are not talking about price). For works that might be used in commercial contexts, the requisite freedom includes commercial use, redistribution and modification.

Creative Commons publishes six principal licenses. Two are free/libre licenses: the Sharealike license CC-BY-SA is a free/libre license with copyleft, and the Attribution license (CC-BY) is a free/libre license without copyleft. The other four are nonfree, either because they don’t allow modification (ND, Noderivs) or because they don’t allow commercial use (NC, Nocommercial).

In my view, nonfree licenses are ok for works of art/entertainment, or that present personal viewpoints (such as this article itself). Those works aren’t meant for doing a practical job, so the argument about the users’ control does not apply. Thus, I do not object if they are published with the CC-BY-NC-ND license, which allows only noncommercial redistribution of exact copies.

Use of this license for a work does not mean that you can’t possibly publish that work commercially or with modifications. The license doesn’t give permission for that, but you could ask the copyright holder for permission, perhaps offering a quid pro quo, and you might get it. It isn’t automatic, but it isn’t impossible.

However, two of the nonfree CC licenses lead to the creation of works that can’t in practice be published commercially, because there is no feasible way to ask for permission. These are CC-BY-NC and CC-BY-NC-SA, the two CC licenses that permit modification but not commercial use.

The problem arises because, with the Internet, people can easily (and lawfully) pile one noncommercial modification on another. Over decades this will result in works with contributions from hundreds or even thousands of people.

via On-line education is using a flawed Creative Commons license.

This is a larger quote than I usually use, but Richard Stallman has a very important point here. By attaching the NC (No Commercial) attribute to a Creative Commons license you preclude the possibility of a commercial use ever, even in the future because once the work has been modified a few times it will become too burdensome, if not down right impossible to track down all of the rights holders to get agreement on a commercial use of the work.

To be honest it never occurred to me that  using the NC attribute could ever have such an effect. I saw it as a way to require someone who wanted to use a work commercially to come forward to the rights holder and ask specific permission for a commercial license. That remains true only so long as the work hasn’t been modified. Once the work is modified and shared as required by the use of the Share-Alike (SA) attribute then anyone wanting to make a commercial use of the work would need to trace back the chain of rights holders to get the necessary permissions.

In the educational world it is easy to imagine CC licensed works being modified and used over and over again as they pass through the hands of hundred or thousands of teachers and students. Getting permission for commercial use of work that has been authored by hundreds of people over a span of years would be pretty much impossible. As Stallman points out “[f]or works that might be used in commercial contexts, the requisite freedom includes commercial use, redistribution and modification.” Here this means that the NC attribute should not be used because it removes the freedom to make a commercial use of the work because even though commercial use is technically possible, it is practically impossible.

If the goal of creators of open education resources is to create free/libre resources that are available to all, to make education better and more widely available, then the NC attribute should be avoided in setting Creating Commons licenses for education works. Does this mean that someone could take a work and sell it rather than providing it for free? Yes it does, but it isn’t likely since it is hard to compete with free. Does it mean that someone could take a work, modify it, and sell it? Again yes, but then it is up to the market to decide if the modifications represent an added value that makes it worth more than the freely available version. No matter what I think having free/libre and open educational resources out weighs the need to lock them up in restrictive licensing.

Finally! MSFT Surface Windows 8 Pro Arrives In January, 2013

There was no word on the Surface Pro though, until now. Tami Reller, Windows and Windows Live Division chief marketing officer, reveals at the Credit Suisse Annual Technology Conference 2012 that Surface Pro will launch in January 2013. Today, Microsoft also revealed pricing: $899 (64GB); $999 (128GB).

via Microsoft Surface with Windows 8 Pro arrives in January.

This version of the Surface will be a fully powered Windows tablet and should make it a popular choice in the business market since it run legacy x86 applications as well as apps from the Windows Store.

U of Minnesota Releases “Cultivating Change in the Academy”, Highlights Future of the Book

This collection of 50+ chapters showcases a sampling of academic technology projects underway across the University of Minnesota, projects that we hope inspire other faculty and staff to consider, utilize, or perhaps even develop new solutions that have the potential to make their efforts more responsive, nimble, efficient, effective, and far-reaching. Our hope is to stimulate discussion about what’s possible as well as generate new vision and academic technology direction. The work underway is most certainly innovative, imaginative, creative, collaborative, and dynamic. This collection of innovative stories is a reminder that we are a collection of living people whose Land Grant values and ideas shape who we serve, what we do, and how we do it. Many of these projects engage others in discourse with the academy: obtaining opinion or feedback, taking the community pulse, allowing for an extended discourse, and engaging citizens in important issues. What better time to share 50+ stories about cultivating change than in 2012 – the 150th anniversary of the founding of the Land Grant Mission!

via University of Minnesota Digital Conservancy: Cultivating Change in the Academy: 50+ Stories from the Digital Frontlines at the University of Minnesota in 2012.

Produced in just 10 weeks, this book is a snapshot of academic technology projects and research underway at the University of Minnesota. Of more interest to me than the speed with which it was produced or the subject matter are the formats in which the book was released. First, it is a blog and a website. Each chapter is a post with the text of the chapter embedded as a PDF file. The blog has commenting enabled, RSS feeds and its own Twitter hashtag, #CC50, so that readers may engage the authors in ongoing discussion.  Second, the work is available in EPUB, .mobi, and PDF formats so you can read it on the platform of your choice. The work carries a Creative Commons Attribution- NonCommercial- ShareAlike 3.0 Unported License.

As I’ve stated in a prior post I think the future of books, especially textbooks and other educational materials lies on the web, not locked into some closed or crippled format. This book serves as an excellent example of the future of the book.

Google releases framework for creating interactive physical spaces

Interactive Spaces is implemented primarily in Java, but it has a scripting bridge that supports JavaScript and Python. The framework provides a high-level architecture for building “activities” that respond to events in a room.

In the announcement, Google described a sample Interactive Spaces installation where ceiling-mounted cameras tracked the position of individuals in a room so that the software could display colored lights on the floor where they are standing.

via Google opens code for building interactive experiences in physical spaces | Ars Technica.

Download the code at http://elide.us/u.

Media Commons white paper examines future of transparency in peer review

The always-insightful Alex Reid has penned an essay “on the question of open peer review,” which examines a draft white paper posted to Media Commons last week. The paper—Open Review: A Study of Contexts and Practices—struggles, Reid argues, to address a critical question: “What is the problem with existing scholarly review procedures that the open review process seeks to solve?”

via New Media Commons white paper examines future of transparency in peer review | opensource.com.

 

Apple Updates, Clarifies iBooks Author EULA

B. Distribution of Works Generated Using the iBooks Author Software. As a condition of this
License and provided you are in compliance with its terms, works generated using iBooks
Author may be distributed as follows:
(i) if the work is provided for free (at no charge), you may distribute it by any means;
(ii) if the work is provided for a fee (including as part of any subscription-based product or
service) and includes files in the .ibooks format generated using iBooks Author, the work
may only be distributed through Apple, and such distribution will be subject to a separate
written agreement with Apple (or an Apple affiliate or subsidiary); provided, however, that
this restriction will not apply to the content of the work when distributed in a form that
does not include files in the .ibooks format generated using iBooks Author.
You retain
all your rights in the content of your works, and you may distribute such content by any
means when it does not include files in the .ibooks format generated by iBooks Author.

Apple will not be responsible for any costs, expenses, damages, losses (including
without limitation lost business opportunities or lost profits) or other liabilities you may
incur as a result of your use of this Apple Software, including without limitation the fact
that your work may not be selected for distribution by Apple.

This is the clause in question. The update lets the end user know that Apple only limits fee-based distribution  in the .ibooks format and not the content if the user wants to distribute it in another format. So, Apple claims no rights over the content of iBooks created with iBook Author.

But a close reading may expose a problem. The phrase “does not include files in the .ibooks format generated by iBooks Author” appears twice in that paragraph. The “.ibooks format” is really just an archive container that contains the user’s content as HTML files, so it seems that re-using that HTML may violate the EULA. Even if  that isn’t the case, the modified terms of the EULA still make the iBooks environment a closed silo that is easy enough to get into, but difficult to get back out again.

 

GOV.UK Goes Beta With Open Source, Mobile Friendly, Scalable Platform

The British Government has launched a beta of its GOV.UK platform, testing a single domain for that could be used throughout government. The new single government domain will eventually replace Directgov, the UK government portal which launched back in 2004. GOV.UK is aimed squarely as delivering faster digital services to citizens through a much improved user interface at decreased cost.

Unfortunately, far too often .gov websites cost millions and don’t deliver as needed. GOV.UK is open source, mobile-friendly, platform agnostic, uses HTML5, scalable, hosted in the cloud and open for feedback. Those criteria collectively embody the default for how government should approach their online efforts in the 21st century.

via With GOV.UK, British government redefines the online government platform – O’Reilly Radar.

The site seems pretty easy to use and is very responsive. I could see this as a model for other governments. Check it out at www.gov.uk.

 

 

C-M Law Library Blog | July 2011 Bar Exam Questions and Answers Now Available Online

MSFT Reporting Long Awaited Demise of IE6

Internet Explorer 6 — long a thorn in the side of many web developers because of its quirks, limited feature support, and cockroach-like resistance to extinction —is finally on its last legs in the United States. And Microsoft is celebrating. In a post on the Windows Team blog, Roger Capriotti, Director of Internet Explorer Marketing, writes that Internet Explorer 6 is now down to less than 1% market share in the United States according to the most recent data from Net Applications. It’s far from the first country to reach that milestone — Austria, Poland, Sweden, Denmark, Finland, and Norway have done it already — but it also had far more Internet users to convert. Alongside the US, Microsoft also notes that the Czech Republic, Mexico, Ukraine, Portugal and the Philippines have all dipped below the 1% mark as well.

And while it might sound a bit odd to hear about Microsoft celebrating the demise of software it built long ago, this isn’t a change of heart for the tech giant — the company has been doing its part to help IE6 die for quite a while.